Arnav Bhagawati

Staff Product Designer at Originality.ai

Hi, I am a Staff Product Designer specialised in AI-Native SaaS platforms.

In the capacity of Staff Product Designer at Originality.ai, I am leading the design across the entire platform. Since my association with Originality.ai, the company has grown from ARR $2.5 M in 2024 to $6.8 M in 2026. We are small team with faster iterations & launches. I own the design of the Core-Application with AI-powered workflows, CRO & Growth, Chrome Extensions, Design Systems, Free-Tools, Landing Pages, and end-to-end platform experiences. My role at Originality.ai sits at the intersection of Product Design & Product Management.

In the capacity of Staff Product Designer at Originality.ai, I am leading the design across the entire platform. Since my association with Originality.ai, the company has grown from ARR $2.5 M in 2024 to $6.8 M in 2026. We are small team with faster iterations & launches. I own the design of the Core-Application with AI-powered workflows, CRO & Growth, Chrome Extensions, Design Systems, Free-Tools, Landing Pages, and end-to-end platform experiences. My role at Originality.ai sits at the intersection of Product Design & Product Management.

Organisations I worked for…

Testimonials

Words from my co-workers…

Atharva Belsare

Product Designer, Google

"I worked with Arnav on the Multi-Device Experience project within Samsung's IoT & Wearables team, and what stood out most was how naturally he thought in systems rather than screens. While the rest of us were often heads down on individual flows, he'd already be thinking about how the experience held together across devices, a rare instinct that came, I think, from his background as an architect and industrial designer. That background made him a true end to end thinker; he could take a fuzzy, abstract idea and picture exactly how it would actually look and feel, well before the rest of us could get our heads around it. We worked well together because we pushed each other, genuinely, not performatively. There was a comrade like energy to it: we were both invested in getting things right, and that raised the bar for the whole team. Arnav's other real strength was storytelling. He had a knack for taking something messy and technical and turning it into a narrative that stakeholders across functions could actually align around, which mattered a lot on a project with as many moving pieces as ours. If our paths cross again, I'd work with him without hesitation."

Satish Patil

Director, CX, Samsung

"Arnav was part of the MDE and intelligence team where he enthusiastically contributed to two crucial projects; Connected device experiences & Samsung account. He has displayed a solid foundation in design methods and navigates problems with a critical mindset. His critical thinking and meticulous approach to system design helped navigating the complexities of MDE projects. As his Design Manager, I can say with confidence he can be valuable asset to any team looking to solve complex challenges."

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Experience

Originality.ai

Staff Product Designer

Jul 24 - Present

QuillBot

Product Designer

Jun 23 - Jul 24

Samsung

Senior Designer

Sep 21 - Sep 23

TropoGo

UX Designer

Jul 20 - Sep 21

IIT Bombay

Teaching Assistant

Jul 18 - Jun 20

HG Architects

Architect

Nov 17 - Jun 18

Royal School of Architecture

Assistant Professor

Sep 16 - Jun 17

HCP

Architect, Urban Designer

Jul 15 - Jun 16

Education

Masters in Design

Indian Institute of Technology (IIT), Bombay

2018-2020

Bachelors in Architecture

National Institute of Technology (NIT), Hamirpur

2010-2015

Awards

Student Innovation Award

Indian Institute of Technology, Bombay

2023

Spot Award

Samsung

2022

Book Launch

Book Launch

A Hand Pump for User Convenience

A Hand Pump for User Convenience

Design for Community: A Hand Pump for User Convenience by Arnav Bhagawati

Millions of people have used the India Mark II and III hand pumps for decades. They are incredibly robust, economical to manufacture, and built to withstand harsh public use. But there is another question: how well are they designed for the people who actually use them? This question became the foundation of my Master's thesis at IDC School of Design, IIT Bombay in 2019. Working with Prof. B.K. Chakravarthy and Prof. Anil Gupta, I explored the hand pump not simply as an engineering product, but through the lens of users, communities, culture, environment and design. One of the most fascinating pieces of evidence came from the communities themselves. Across remote parts of India and Africa, people have created their own frugal modifications to the hand pump—revealing needs that the standard product does not always address. The research asks an important design question: When does a highly optimised product become a design that has stopped evolving? In Summer 2023, Prof. B.K. Chakravarthy and I launched a book at IDC School of Design, IIT Bombay documenting this journey and demonstrating how Design Thinking principles and methodologies can be applied to complex, real-world—or “wicked”—problems. This talk walks through that journey: from observing users and understanding context to questioning assumptions and identifying directions for a more human-centred solution. Particularly relevant for design students, UX/product designers, researchers and educators interested in Design Thinking, Human-Centred Design and Social Innovation. Credits: IDC School of Design, IIT Bombay · GIAN Foundation, Ahmedabad

Art Works

Art Works

When I am not designing…

When I am not designing…

Bustling Street of Mumbai, 2019

To me, water colour is like a live theatrical performance unlike takes & edits in movies recorded several times to reach perfection. In water colour, a well planned layering is crucial from lighter to darker tones unlike oil painting. I use no black or white colour in Water Colour paintings, considered a best practice for better results. The whites are nothing but the colour of the paper left untouched, while blacks are a mixer of Burnt Sienna & Prussian Blue. Any stroke that goes wrong, is never wrong in water colour, but part of the making, just like an improvised scene in a theatre.

Architecture

Architecture

When I am not designing digital products…

When I am not designing digital products…

Modernism

Honesty in design is well explained through exposed structure & materials in Modernism Style of Architecture. No concealment of mistakes or compromised masonry is hidden beneath plasters.

Jamming

Jamming

Always a fan of old classics…

Always a fan of old classics…